Colorless Tsukuru Tazaki and His Years of Pilgrimage - Wikipedia
What is the significance of the name of the novel, Colorless Tsukuru Tazaki and His How does the relationship ultimately affect Tsukuru's perception of himself? Is Tsukuru's decision with respect to Sara at the end of the story indicative of. Question about Colorless Tsukuru Tazaki and His Years of. invest himself in any relationship; there was always some kind of wall or weight that was holding. Melody said: I don't know how I feel about the ending? Colorless Tsukuru Tazaki and His Years of Pilgrimage discussion .. just sort of ignored afterwards, focusing more on the relationship with Sara which to me wasn't nearly as gripping.
She became a private piano teacher and lived in Hamamatsu, before being strangled to death in an unsolved murder six years ago.
Now a seminar seller still in Nagoya, he has a successful business that offers employee training to big companies in the area. A closet homosexual, he feels stifled in little Nagoya. Now a car dealer still in Nagoya, he sells Toyota's luxury car Lexus. Two years older than Tsukuru, she lives in Tokyo and works for a travel agency. Haida's father Haida's father was a college teacher. In the s, he took a leave of absence from school to travel Japan and worked odd jobs.
While being employed as handyman at a small hot-springs inn, he met Midorikawa, whose strange tale he later told his son. According to the tale of Haida's father, he only played after placing a small bag on the piano, carried a deadly burden, and could see the color aura of people. The stationmaster He explains to Tsukuru that a lot of strange things are lost and found in his train station.
One was a formaldehyde jar containing two severed sixth fingers. Sakamoto A young coworker of Tsukuru. Despite his job, his other passion is genetics.
Olga A younger friend and colleague of Sara. An energetic Finn who works in a Helsinki travel agency. She helps Tsukuru in Finland.
Tag Archives: Haida
Edvard Haatainen The husband of Eri. A Finnish pottery artist. Tsukuru meets him while his wife and children are away. The two daughters of Eri and Edvard About 3 and 6 year-old. The oldest one was named Yuzu in memory of Eri's deceased friend.
Plot summary[ edit ] Chapters 1—3 Tsukuru Tazaki is a year-old man whose defining features are his love of train stations and the fact his four best friends all ceased to speak to him during his second year at university: As he explains to her over dinner, back in Nagoya his high-school friends were called Ao, Aka, Shiro, and Kuro Japanese for: Blacknicknamed after a color in their surname, unlike his "colorless" one.
They used to do everything together like the five digits of a hand, until that single phone call one day, when they "announced that they did not want to see him, or talk with him, ever again. It was a sudden, decisive declaration, with no room for compromise. They gave no explanation, not a word, for this harsh pronouncement. And Tsukuru didn't dare ask. Of course, he has some tricky pieces, but if you listen very carefully [ Most of the time it's hidden behind all these embellishments.
During these tales, Tsukuru sometimes felt a sort of confusion between himself, Haida, his father, and Midorikawa. Chapter 6 Later that night, while Haida slept over on his couch, Tsukuru had a strange erotic dream involving both Shiro and Kuro, who then merged and morphed into Haida before the climax.
Tsukuru wondered for himself whether it was all a dream, then Haida didn't show up for next semester.
[SPOILERS] Ending Discussion: Colorless Tsukuru Tazaki and his Years of Pilgrimage : murakami
All he left behind was the boxed set of Years of Pilgrimage he had lent Tsukuru. Chapters 7—9 Sara states that if he wants to progress in his current relationship, he needs to find out what happened to move on emotionally. Since Tsukuru doesn't use the Internet, she'll help him getting started: If you feel like it, you can easily gather that information about them.
Having said that, we still hardly know anything about people. Chapter 10 Tsukuru travels to his home town of Nagoya and meets Ao, the former football jock who is now a successful Lexus dealer. From an apologetic Ao, he learns that Shiro had accused Tsukuru of rape, prompting all communications between the friends to cease.
Soul Murder and Dreams in 'Colorless Tsukuru Tazaki and His Years of Pilgrimage'
Shiro eventually became a successful piano teacher, but six years ago she was found strangled in an unsolved murder case. Chapter 11 Several days later, Tsukuru arranges to meet Aka, now a trainer of corporate warriors.
A successful but deeply unhappy man, Aka tells him that Shiro's story did not stack up at the time, and that Shiro seemed to have lost her love for life long before she died. Aka himself has issues, having belatedly realized after a failed marriage that he is gay, and feeling rejection from the people of Nagoya, including Ao, who dislike his somewhat shady business, taking up some psychological methods used by the Nazis. Tsukuru reassures Aka that he still cares for him and departs.
Chapters 12—13 Back at work in Tokyo, Tsukuru and his colleague Sakamoto visit a stationmaster whose strange tale reminds him of Haida's story. Where else in the story does the author address making things? Are they portrayed as positive or useful activities? What is the outcome of this relationship? Why does Haida share with Tsukuru the story about his father and the strange piano player who speaks of death? What might this teach us about the purpose of storytelling?
How does Tsukuru react to this story? What does the story teach us about belief and the power of persuasion? If you feel like it, you can easily gather than information about them. Do the characters in the story know each other very well? When Tsukuru finally sees three of his friends again, how have each of them changed? How do they react to seeing one another after all this time?
Are their reactions strange and unexpected or predictable? What unexpected changes have taken place over the years, and why are they surprising to Tsukuru? Has anything remained consistent?
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When Tsukuru visits the pizzeria in Finland, how does he react after realizing he is the only one there who is alone? How is this different from his usual response to isolation throughout the story? If not, what causes differences in their perceptions?
Do you believe that the group did the right thing by protecting Shiro? Shiro plays the song on the piano; Haida leaves a recording of it behind; Tsukuru listens to it again and again; Kuro also has a recording.
Why might the author have chosen to include this song in particular in the story? What effect does its repetition have on the reader—and the characters in the novel? What does she mean by this? Do you agree with her statement? Kuro says that she believes an evil spirit had inhabited Shiro, and as Tsukuru is leaving her home, Kuro tells him not to let the bad elves get him.