My relationship with you is all the world to me james moore

my relationship with you is all the world to me james moore

Nostalgia Items · Historic Newspapers; Top Themes; Baseball · Baseball World Series · Basketball . Thanks For All You've Done; Song previews provided courtesy of iTunes Shine On Me; Us I'm Going To Make It; Jesus Breaks Every Fetter. Live: Rev. James Moore My Relationship, Pt. 1; $ on iTunes8. When I started planning my questions for this interview it struck me how certain it will take you a long time, but as James Joyce remarked about Finnegans corner of a field, anywhere, throughout the world, where if studied. You didn't mean to, but you taught me a lot about loving my wife. Your legacy reaches all over the world, I am sure of it. Leadership and love are the two words that best represent James Moore. . been in my best interest spiritually and has helped to guide me on the path that keeps me in a right relationship with God.

The State of Florida has something very special today. They have youth and former youth that are filling pulpits, filling youth ministries, and embarking on missions all over the world. There are students and former students who are starting Godly Families where there may have been a vacuum in their lives before, however; they are doing these things because they were given an example, a model to follow. Thank you for your service in the Lord, for the model you have given, and the lives God has touched through your diligence.

I and countless others are truly blessed! To this day, 16 years removed from our time together, I remember the story of the goose in the movie theater and your response to the young lady who mistakenly allowed her rear end to eat her bathing suit on your watch. Thank you for giving me a presence on the campus of CHBS and allowing me a seat at your table.

Being a part of a community of youth ministers instead of a lonely guy in Bradenton Florida was invaluable to me as I grew. You have loved kids and the ministers to kids unfailingly through our failures and successes.

Thank you for investing in young people and pouring yourself into me.

The Man with the Golden Gun (film) - Wikiquote

Paul Bennett James, From the time that I was just a teenager going to Teen Week and SonQuest, you have been a man that I have looked up to with a tremendous respect and as a role model. When you spoke, we listened, and still do.

Your love and leadership were always on display, and I have always been in awe of how you can tell someone that they are dead wrong in such a way that they not only leave with a smile on their face, but love you to death.

I thank God for the men and women that he placed in your life, and the way that His Spirit has moved in you, to make you into the man you are today… because you are an example of what it means to be connected to the Vine, and to produce the fruit of the Spirit, and as such, you have truly blessed my life and the lives of countless others.

I thank God for you! Jay Cline Greetings, Doc! Along with the countless other lives you have influenced, please know that you have made a difference for me and my family. Our lives and legacy are part of your legacy, and we love you for it. Thank you for being a role model and mentor and, most of all, for being my friend. With great love and appreciation, Brad Moser James, Legacy: What one leaves to another through choice, or act of will.

These rare individuals ask the question often: For years your steady presence and reassuring influence have brought forth the best out of those of us who surround you.

Legacy Letters | SonQuest, Orlando Florida

There have been many incarnations of the SonQuest Board of Directors, but all this time there has been only one James Moore. We want to recognize you, James, not just because of the person you are, but because of the person you continually points us to- Jesus.

my relationship with you is all the world to me james moore

Those of us who know you, know the hard questions you ask of yourself: This is what legacy is all about…at least the kind that matters…forever. Your friend, Paul Huyghebaert James, You have been a powerful mentor and a great friend to me. I thank the Lord often for you, your family and your ministry. Thank you my friend for showing me how to honor Christ and serve His mission.

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May your spiritual journey of faith continue to be fruitful. In fact, all of them have continued to progress, change their names, build and expand services and programs under your guidance. I know of no one who has impacted Central Florida like you have. May God continue to bless you in every way as you have continually blessed us. Randal Meyers Few people in life possess the qualities of James Moore.

My wife and I worked in youth ministry in Florida for 7 years and during that time we became well acquainted with James. I know him both on a personal and professional level. Professionally, his passion for students is unparalleled. He has put a lifetime of work into making SonQuest what it is, a tremendous conference where students grow spiritually. He and I would see each other at events and activities quiet frequently and without fail he always asked about two things: James made sure that I always he knew he was there as a resource for me, and all other ministers for that matter.

I am a better minister, husband, father, and friend because of the example that James set in my life the seven years I lived in Florida. I am proud to know him and honored to call him a friend. Gordy Prather James, You are a true example of faithful service to the Kingdom.

The churches of Florida and beyond are so blessed to have you as a bridge, a peacemaker and a consistent leader. Your example reaches far beyond what you will ever know fully. Thank you for seeing to it that ministry to teens remained a priority.

Thank you for your tireless work on wonderful events like SonQuest and the Spiritual Growth Workshop and may they continue to have bright futures and bless coming generations. But even before I actually met you, I had heard of you. You love the Lord our God with all your heart, soul, and mind.

You love your neighbor as yourself, more even it seems.

my relationship with you is all the world to me james moore

It is seen by everyone around you and it was that reputation that filtered down to me before I actually got to work with you. I was finally able to meet THE Dr. What a privilege and honor!

I feel truly blessed to have had the opportunity to serve with you. The amount of people touched by your works is a number I cannot even begin to guess at. Thank you for everything you do and being such a great example to all those around you. You are truly a wonderful man, an incredible Christian, and a fantastic friend.

You have done so much for the Kingdom of God here in Central Florida and beyond. You talked with me in love and spoke truth into my life. You showed me the grace of God when you easily could have written me off and sent me home. I love your heart, and I pray that God continues to do even more through you.

Beef Branard James, Thank you for exemplifying legacy for me, my family, and the family of God. Personally you have been a rock in my life. You have provided consistent leadership working at my alma matter, companionship and mentoring during the death of my grandfather, and helping officiate my wedding. I want you to know that you have had a significant impact on the trajectory of my life personally.

Christ who indwells you works in great ways. SonQuest has touched so many lives including mine and it is what it is because of you. Your willingness to pursue and continue to pursue excellence in such a God honoring weekend for youth is to be commended. I thank God for you. Brad Poyet James, I want to start off by saying thank you. Where will you hide out? That is not your concern. I took you on as a junior partner to be an occasional convenience, nothing more.

I did not pay you to interfere in my affairs. I now regret having even considered employing your services, but that is beside the point.

Bond doesn't know you're in Bangkok; he's never seen you. But he has seen me. Fat has just resigned. I am the new Chairman of the Board. Put him in it. Bond looks behind him and doesn't see anything Lower. A gun in a bag of peanuts, how original! What will they think of next? When I was a boy, I was brought up in a circus.

My only real friend was a huge, magnificent African bull elephant. One day, his handler mistreated him and he went berserk. Bleeding, dying, he came and found me, stood on one leg, his best trick, picked me up and put me on his back. The drunken handler came along and emptied his gun into his eye I emptied my stage pistol into his!

An eye for an eye. Bond, I always thought I loved animals. Then I discovered that I enjoyed killing people even more. But I shall find what she stole from me. Personally, I've got nothing against you, Mr. Bond, and to keep it that way, let us hope our paths never cross again. Please don't try to follow me.

Your peanut-toting friend back there wouldn't like it? After Saida's performance, Bond quietly sneaks to her dressing room. He knocks on her door Saida: Saida is fixing her hair when Bond walks in. Almost dissociative, verb-less sentences, one-word sentences A lot of that is Iain's origins as a poet before he wrote prose; looking at something like Lud Heat, it's kind of a poem that has overrun it's own structure, it's bordering on prose.

Yes, that's it, that's the kind of hinterland that has emerged from his poetry; you could argue that all his books are extended poems. There is the way that he treats the sentence, the word, that is right down there in the molecules of the language in the way that a poet has to be.

That's my theory anyway. There's an interesting back and forth in the way that you've influenced each other; I wanted to ask you more about this, because I first came across Sinclair in your endnotes to From Hell where you mention Lud Heat where he first proposes the pentagrammatic link between Hawksmoor's churches and Cleopatra's Needle, and this forms the route of the coach ride that Gull and Netley take across the capital in From Hell even taking in Sinclair's own Albion Drive address on the way.

I then got hold of Lights Out For The Territory and was delighted to find that he refers to that coach ride in that book. I wondered if you then batted it back to him at some point — did I miss a beat?

my relationship with you is all the world to me james moore

Well it's a funny kind of relationship, it has gone back and forth but I must say that influence has been much more on my part than on Iain's, though I have noticed that I have become one of his menagerie of unusual characters that turn up fairly frequently in his work.

There's a lot of interesting feedback, and its nice being part of Iain's Todd Browning kind of collection. You get to spend a couple of hours pedalling down a river in Tonbridge Wells in a giant plastic swan with Stewart Lee.

It's not a bad way to spend your retirement. When you were saying about how Iain found certain areas to be psychogeographically 'dead' I thought that was interesting because with London Orbital that was quite a Ballardian thing for him, exploring areas outside his normal stamping ground. Well perhaps that's him challenging his own hypothesis because the M25, a road leading nowhere was supposed to be entirely dead and he explored it by circumnavigating it and I thought that was one of his most extraordinary pieces, though he has got a fairly good track record of extraordinary pieces.

One thing I also wanted to ask you about was some of the recent things he has said about the summer Olympics, about how it has been an excuse to militarise London whilst forcing the poorest citizens out of their homes. The government manipulating the local environment for economic and political exploitation has provided fodder for his literature so there is a tension there in that a changing landscape is for better or worse sort of central to his writing.

That's true; when I read Edge Of The Orison I was on a really ill-advised holiday to Yarmouth where I'd spent many engaging holidays as a kid and I wanted to see what the place was like.

And it was a desolate experience, entirely my own fault. But there was this particular public house, a beautiful Art-Deco building, Bauhaus construction down on the sea-front, and it had been left to fall apart, and this was quite dispiriting, and I was reading Edge Of The Orison at the time, and I came to the passage where Iain says something I thought quite profound and cut to the chase, which is that, 'We must learn to look upon decay as heritage.

But I think what Iain was saying is that we are living in a greatly accelerated world, it would do us good if we could somehow learn to see the decay around us in that light. Iain is aware of his own uneasy relationship with the stuff he is writing about.

In Down River he says that the moment he is discovering some previously neglected space is the moment when its time is up. These days, after Iain, Peter Ackroyd and myself have written about the place it now has a certain a terroir — it has unique selling points connected to the territory; it could be because you produce a unique wine or a unique cheese, but if you've got a certain literary set of associations that are based around the area that will do as well, and now we have a gentrified Whitechapel where I believe some of the surrounding buildings being planned will completely dwarf Hawksmoor's terrifying church.

As writers yes we do play a part in the process and I think Iain has been aware of that for a long time. No, that's not what he is saying; he's simply pointing out a process that is going on and what it means. In some ways this is the only way you can preserve places like Hackney even if they're not pulled down, because if they are not pulled down they will change, because everything changes. Those moments, those particular afternoons or years, will be lost, unless someone can encapsulate them, someone can turn them to art, because art is immortal.

The depression that he feels due to the enclosure and the disappearance of his local wilderness, is something similar happening in Northampton and do you feel similarly about it? And I imagine that from his perspective that's probably true, that there has probably been a far greater despoliation down where he was.

However, in my case, the Boroughs which is where I grew up, back in Saxon times was the whole area of the town; there was no more to Northampton than the area now called the Boroughs. Now they started dismantling that at the end of the First World War. I've since come to the probably mad conclusion that this might not be unconnected with the Russian Revolution; that people were terrified, around aboutonce the war was over and they had had a chance to take stock of what had actually happened, over there in Russia, in America that was the period when the term 'Red Scare' started.

Everybody tends to think of it as Mccarthy in the s but no,that was the Red Scare, and governments all over the world almost expected it to happen, a sort of domino theory, and I can't help wondering if they looked at the concentration of working class people in one tiny area and thought it would be better to break that area up.

That is perhaps a paranoid conclusion, I don't know, it might have been what it was about. But I've watched it turned into a clearance area. And that is a condition, and as I've been writing about in Jerusalem, as we continue with the years of austerity, with the constantly revised dates for when we might be expected to emerge from it, I think that the concept of the clearance area Essentially it's like, there are lots of reasons why no-one would have wanted to go to the Boroughs or to Hackney, and I think that give it enough time and the Boroughs and Hackney will come to them.

Both me and Iain, though we are very different people, have emerged from similar backgrounds; we were both, and probably still are, woolly anarchists, who emerged from the s with a similar tastes for Captain Beefheart and Allen Ginsberg, but like I say, Iain's depth of knowledge is greater than mine.

my relationship with you is all the world to me james moore

One thing I want to ask you about before we run out of time is Nick Papadimitrious's idea of 'Deep Topography'. I was watching the film The London Perambulator and at least at the point when that film was made Iain had allied himself with Nick's notion of Deep Topography because psychogeography has just become a term used for anything at all to do with walking and the city.

Are you sympathetic with that?

my relationship with you is all the world to me james moore